Melissa PiƩ
Paul Gleason
Non-Western Lit.
December 4, 2008
Stories
Within Salman Rushdie’s Haroun and the Sea of Stories, I felt strangely connected to many of the characters the most prominent being Haroun. This may seem strange, but I could actually put myself into his position of non-belief of stories. For a great while I never understood the importance of fiction and was completely disconnected to anything pertaining to this strange genre. Perhaps it was because I never fully understood it, I can never be fully sure. I am sure that now it is the only genre that I can connect with because it takes me away from my own reality.
Haroun never understood the importance of his fathers story-telling; he wondered, “what’s the use of stories that aren’t even true” (22). For many years I could be found reading numerous books on events in history, normally pertaining to World War II, I still don’t know why I was so incredibly interested in this specific time period in history. Perhaps it dealt with the fact that I was simply baffled that anything so horrific could have taken place, and yet I always wanted to learn more. Many of the stories that I read in grade school and even part of high school were mostly fiction. I found myself asking the exact same question that Haround shouts at his father-“what’s the use…” (22).
The world that Haroun enters is like nothing he has ever known and this catches him completely off guard and is extremely skeptical of it all and close-minded to the entire concept of a distant world in which stories come from. Haroun makes a valid point and one that I myself used to make: “Why should I believe a word you say…when I can’t see anything…” (58). I never wanted to believe in anything that I could not directly see. If I couldn’t see it how could it exist? I went through a great deal of my life this way with just this type of skepticism. However, as my life started to change and my reality started to become slightly more horrific I found myself truly enjoying fiction, especially that pertaining to fantasy. It became an escape from my own reality. Although I did not actually travel (obviously) to a distant realm such as Haroun, I did travel in a sense. I became immersed in the world that was created on the pages that I read.
Haroun is also able to relate things that he has seen and experienced in his own life to things in the fantastic world. When Iff and Haroun are traveling he notices that he has the same sensation “when the Mail Coach Driver, Butt, was rocketing up the Mountains of M” (65). He also realizes that the “Hoopoe with its crest of feathers reminds me [Haroun] quite a bit of old Butt with his quiff of hair standing straight up on his head!” (65). By relating what he experiences within his life in the realm he has known for so long it makes this new realm seem comical. Within my own life I have had the same reaction only reversed. While reading certain stories I have noticed the world around me things that jump out such as character traits of people. This is interesting to me because it shows that no matter what type of story I’m reading by whomever the author is or what realm the story is set in the character traits of all creatures are somewhat the same. To me this is all rather comical because it brings a tie in to writing and the telling of stories with the “real world.” There are times that I’m even able to escape when things get too difficult to handle without having a book in my hand because I notice similar things. It makes certain things slightly more bearable and easier to escape from the chaotic world that we all at times live in.
I did thoroughly enjoy this text because it became my own escape. I found it easy to put myself into Haroun’s place and was able to feel as though I was on this mystical journey with him. Rushdie creates a world that is mystical yet also serves to explain a great deal about the “real world” and where such fantastical stories originate. When I think of fiction stories, fantasy in particular, I think that it serves of a way to explain things that we are not able to. There is so much that transpires in this world that is simply horrific such as wars, famine, crime and even the falling economy currently. It was nice to read fiction that explained something that seems so miniscule compared to all of those, yet is needed so greatly, the telling of stories. I can honestly say that I don’t know where I would be if I could not escape into a book every chance that I get. They seem to be such a huge part of who I am as a person, I can actually find different ways to describe myself when words fail to escape my mouth. I found it so easy to escape within this book and the fantasy that it entails. Again, I thoroughly enjoyed this book and one that I actually won’t sell back at the end of the semester!
For literary theorists I thought about using Rushdie, which is slightly ironic, but I thought back to last semester in Literary Criticism and Fredric Jameson came to my mind in some of the first discussions of this book. Jameson deals a great deal with pop culture and the combination of high and low culture. Within Rushdie’s novel Haroun and the Sea of Stories, this is evident with the combination of myths and the newer spins that he is able to put on these myths. He brings in the elements of fantasy that can be found in both Star Wars and The Wizard of Oz. Haroun travels to a distant magical realm in an almost twister like circumstance such as is present within The Wizard of Oz. He goes there in order to help his father which reminded me a great deal of the final (and best) Star Wars Episode VI Return of the Jedi. Luke travels with his friend for much of the movie, but when realizing that he must face his father he has the idea that he can “save” him if he only “let’s go of the hate” because he can “feel the conflict within him.” He has no intention of letting his father pay with his life to a cause that he is not fully committed to. Haroun travels with Iff in order to save his father’s lively hood and something that makes his father’s character, which is his ability to tell stories. Rushdie is telling of myths that have been passed down, but telling them in a way that many people are able to relate to a different type of work of their choosing.
Iff reminded me (although I know that not everyone in the class agrees) very much of Yoda from the Star Wars saga. Rushdie uses Iff in the beginning much as Lucas portrays Yoda in the first entrance of him into society within Episode IV. He is a slightly neurotic and mischievous. Acting as though he knows nothing of the person whom Luke is looking for. Yet, he is extremely knowledgable and a great help and teacher to Luke. The picture that Rushdie paints of Iff also put the image of Yoda into my head automatically. This is using the idea of Jameson to combine high and low cultures. Within all of the old myths and legends there has always been a teacher and an apprentice that gets slightly off course every once in a while. Rushdie combines pop-culture adding in characteristics of characters from movies that everyone, even if they have not seen the movie, is familiar with. Throughout the story Rushdie combines these two a great deal this is why Jameson is the theorist that I felt connected well with this story.
The War, or rather conflict as some may call it, going on within Iraq is a topic of great debate especially recently with the elections. Many feel that we should not be fighting a War for someone else when we have so many problems on our own soil, while others feel the polar opposite. Within Rushdie’s novel there is also War and can be applied to what is transpiring now with the U.S. and Iraq. Rushdie creates Shadow Warriors as the force that is to be feared and fought. They have a great deal of military background and not much is known about them for they keep to the dark shadows. On the other hand the characters that create the stories are in the sun and seem to be a peaceful group of creatures. Depending on ones views of the War and how it began depends on which side is which. War always has a side in which there are the “good guys” and the “bad guys.” During World War II Germany was the “bad guy” whereas everyone fighting against them was the good. However, in this war it is not exactly clear which side is which. In the beginning the U.S. seemed to be the “good guys” fighting to protect our land, our freedom and also fighting for the freedom from tyranny for citizens of Iraq. Yet as time rolls on it seems that we have become the shadow warriors.
The United States invaded Iraq on March 20, 2003. We entered in with a mission, but through the years that mission has been compromised and run into numerous roadblocks along the way. It is now that the Iraqi government has voted us out of the country and our own country is falling deeper and deeper into a recession/depression. Yet, we are still over in Iraq fighting and not only losing our own soldiers, but also Iraqi innocents along the way that are on the U.S. bases to help with repairs. We have become the shadow warriors first mentioned who have “temporarily lost control” of our voice (129). “How many opposites are at war in this battle”, we fear things that we do not understand and as time grows on this conflict will only deepen as it has (125).
By Rushdie placing a fantastical spin on War bringing out concerning issues that are current to this time period it creates the idea that no matter what time period a book is written in it can still be relevant today.
Works Cited
Rushdie, Salman. Haroun and the Sea of Stories. Penguin Group, Hudson Street New York, New York. 1990
http://en.wikipedia.org/wiki/Fredric_Jameson
http://en.wikipedia.org/wiki/Iraq_War_(2003)
